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BIO
From the liner
notes of the re-release of Live To Die - Relived
Hailing from the unlikely home of
“Thrashville,” Tennessee, INTRUDER originally released Live To
Die in 1987 on Azra/Ironworks. There is a lot of history
leading up to this great album. Drummer/Lyricist John
Pieroni was a founding member before INTRUDER even had a name.
It began as a trio, in 1984, with Dave Hackley on bass and
Dave Louden on guitar and vocals. This lineup was a
basement band that played Black Sabbath covers and the like.
No gigs were performed and they didn’t really care to name the
project. When the band was ready to get out of the basement
and start playing live gigs, they used the name Avatar ‘for
about 2 minutes. Too many other groups went by the same tag,
so they dropped it. Dave Louden wanted to concentrate on
vocals, so he brought in his friend, Arthur Vinett, to play
guitar. With Arthur joining John, the true nucleus of
INTRUDER was born. Soon thereafter, Louden was out completely
and Ronny CLINE stepped in as vocalist. This quartet
played lots of shows and went by the name TRANSGRESSER (they
spelled it with the “-er” suffix on purpose). Playing a
mix of originals and cover songs such as Twisted Sister’s
“Under the Blade” and Savatage’s “I Believe” they soon
attracted a loyal following. The rotating bass player slot
started once Dave Hackley was out of the picture and replaced
by Garry Todd. This lineup continued to play numerous
shows in the South. Eventually, Jimmy Hamilton replaced
Ronny CLINE and this lineup recorded two demos. The
first demo was recorded on an ½ inch 8 track machine and
included early versions of Cover Up and Live to Die. The
second demo, recorded in a “real” 24 track studio, was sent to
Dave Richards, who immediately fell in love with the band and
signed them to Azra/Iron Works. After the demos were
recorded, John Downey, a veteran of the Nashville Music scene,
took over bass duties for a very short time. Todd
Nelson, who remained in the band for all four releases,
quickly replaced him. With the lineup finally secure and
intact, the quartet began to record the Live To Die album. It
was during the recordings that they finally chose the moniker
INTRUDER.
The Live To Die sessions took place over a
long period of time. It was recorded at TREASURE ISLE, a
top-notch studio in Nashville, where major country music stars
recorded their albums. It took so long to record because they
could only get studio time late at night and on weekends.
The upside of this was that they were able to record on
first-rate equipment. In fact, Live To Die was one of
the first all digital recordings in the Metal world. Tom
Harding was the perfect producer for the job and continued to
work closely with the band on the next two releases.
When Live To Die came out, it largely went unnoticed.
The album sold some copies in the U.S., Europe and a fair
amount in Japan, but nothing too major. INTRUDER always
received a fair amount of press in Europe but perhaps not
being a part of the underground tape trading market of the
time hurt the band. The TRANSGRESSER demos were not
circulated on trade lists, therefore, the LP was not as
anticipated as it could have been. The lack of sales and
knowledge of the albums’ existence was certainly no fault of
the label. Azra put out more Live To Die promotional
items than imaginable. It’s truly unbelievable how many
Live To Die collectibles there are. Everything from
stickers to pins to picture discs to a saw blade CD to many
different shaped 7 inches: blob, star, heart, monster picture
disc, square, octagon and the list goes on and on.
There’s even a rare split single with DARK ANGEL. The
song “Cover Up” was the subject of most of these releases.
Different test pressings exist as do alternate covers (no
artwork). The CD and saw blade CD package were not
released until 1990, a year after the band had signed to Metal
Blade and released the great Thrash CD, A Higher Form Of
Killing. While a fantastic idea to try and alert new
fans of the bands’ debut now that they were on a more high
profile record label, Live To Die remained buried underground.
Even today, many fans of the band thought the three releases
on Metal Blade comprised the entire INTRUDER output.
It should be noted that the Live To Die era
INTRUDER was a different style than the Metal Blade era.
Live To Die leans more toward the Speed Metal vein and what
was considered Power Metal back in the day, whereas they
changed to a decidedly more Thrash style when they made the
jump to Metal Blade. A Higher Form Of Killing was Thrash
with unbridled raw energy, whilst Psycho Savant, their swan
song, was a tight, more progressive brand of Thrash.
Greg Messick was the second guitarist in INTRUDER throughout
its entire Metal Blade period. It is important to note
that the EP, Escape From Pain, released in 1990 on Metal
Blade, basically as an excuse to tour, included three songs
from the Live To Die album. They were: “Cold-Blooded
Killer”, “Kiss of Death” and “T.M. (You Paid The Price).”
Those with a keen eye would have noticed that those three
songs had a copyright year of 1987. “Cold-Blooded
Killer”, was the only song of the three to be re-recorded at
this time as a quintet with a thrashier sound.
Also, INTRUDER published their songs under the title
“TRANSGRESSER MUSIC.” Still, more interest in Live To
Die did not surface.
INTRUDER reunites from time to time. They
headlined the Classic Metal Fest in Ohio in 2002 and they just
returned from a headlining spot at the Headbangers Open
Air in Germany. Of course, to keep with tradition, a
different bass player was recruited for the gigs! Chris
Veach, a Metal veteran on the Nashville scene, has taken over
the low-end duties for Todd Nelson. As long as people
still want to hear incredibly tight, awesomely played,
lyrically thought provoking music, Intruder will be glad to
oblige.
Eric Sanders
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